Devachiye Dwari Ubha Kshanbhari Lyrics in Marathi

Full Lyrics

॥ एक ॥ देवाचिये द्वारीं उभा क्षणभरी । तेणें मुक्ति चारी साधियेल्या ॥१॥ हरि मुखें म्हणा हरि मुखें म्हणा।पुंण्याची गणना कोण् करी ॥२॥ असोनि संसारीं जिव्हे वेगु करी । वेदशास्त्र उभारी बाह्या सदा ॥३॥ ज्ञानदेव म्हणे व्यासाचिया खुणा । द्वारकेचा राणा पांडवांघरीं ॥४॥

The opening line gives the stanza its name and its spiritual image. Someone is standing for a brief moment at the divine doorway, and that moment becomes enough to change the direction of the mind. That is the devotional logic of the verse: a small, steady pause has meaning when it is made with attention.

This page keeps the verse plain and readable so that the chant remains the focus. That is important for a Haripath line, because the usefulness of the page is not in commentary alone. It is in helping readers return to the exact text they remember and use it immediately.

The Haripath tradition tends to work through repetition and restraint. Rather than long explanation, it offers a line that can be held in memory and recited aloud. That makes a lyrics page valuable only if it preserves the text cleanly and avoids unnecessary noise.

For a devotional reader, the verse also carries a disciplined mood. It asks for presence. It asks the reader not to scatter attention. That is why this stanza still travels well through daily prayer, group reading, and search-based return visits.

Meaning & Significance

The line suggests that even a brief moment at the divine threshold is meaningful when it is sincere. The image is small, but the devotional effect is large. In Haripath, that kind of compression is common: a short stanza carries a wide spiritual horizon.

Readers often use verses like this as a mental reset. The stanza is short enough to remember, but substantial enough to change the tone of a few minutes. It works well before work, during prayer, or in a quiet moment when someone wants to reconnect with a familiar tradition.

The repeated call to remember Hari gives the verse its internal motion. Rather than moving outward into explanation, it circles back toward focus. That is what makes the line useful in a modern lyrics setting. People do not always come searching for a whole chapter; sometimes they only need the exact refrain that carries them back into practice.

The verse also speaks to the way devotional literature bridges learning and living. The text is culturally old, but its function is still present tense. It is not merely something to study from a distance. It is something to sing, say, and keep close.

When a page treats that text with care, the result is more than transcription. It becomes a reliable devotional reference. That is the role this file is meant to serve.

About Dnyaneshwar

Sant Dnyaneshwar is central to Marathi bhakti literature and to the broader Haripath tradition. His work is valued because it makes devotional practice feel direct and human, not distant or ceremonial-only.

On a lyrics site, that means the presentation has to honor both memory and accuracy. Readers often arrive with only the opening line in mind. They need a page that matches that memory closely, keeps the text legible, and gives just enough context to confirm they found the right verse.

This file is written with that use case in mind. It does not try to compete with the prayer itself. It simply supports the prayer by making the text easy to read, revisit, and share.

Frequently Asked Questions

What tradition does this verse belong to?

It belongs to the Haripath tradition associated with Sant Dnyaneshwar and is commonly used as a short devotional reading.

Why is the title based on the opening line?

Because readers usually remember the opening words first, and search behavior often starts from that opening refrain.

Can this page be used in group prayer?

Yes. The text is laid out for quick reading, which makes it useful in home prayer, satsang, or any setting where the verse is recited aloud.