Hariharan Bhed Nahin Karu Naye Vad Lyrics in Marathi

Full Lyrics

हरिहरां भेद । नाहीं करूं नये वाद ॥१॥ एक एकाचे हृदयीं । गोडी साखरेच्या ठायीं ॥ध्रु.॥ भेदकासी नाड । एक वेलांटी च आड ॥२॥ उजवें वामांग । तुका म्हणे एक चि अंग ॥३॥

This page keeps the abhang exactly where readers need it: on the line itself. The source stanza is short, memorable, and built around a single devotional idea, so the layout should not distract from the text. A reader who remembers only the first phrase can still land here and recover the whole verse quickly.

The clean presentation matters because this is the kind of Marathi devotional line people often return to from memory. They may search by opening words, by the saint’s name, or by a partial refrain. The file is meant to serve that use case without adding editorial noise that breaks the flow of recitation.

Even in a short stanza, Tukaram’s style gives the verse a firm spiritual center. The text does not argue for the sake of argument. It points the reader toward a devotional truth that is meant to be felt, repeated, and carried into daily practice. That makes this page useful as both a lyric reference and a chanting aid.

Meaning & Significance

The first line rejects the idea of a hard split between Hari and Hara. In a devotional reading, that unity matters because it removes unnecessary conflict and turns attention toward the shared sacred presence. The verse does not waste energy on debate; it asks the reader to understand that the divine is not something to fragment into competing camps.

The next line deepens that point by comparing the heart’s sweetness to sugar. The image is simple, but it works well because it makes spiritual unity feel immediate and familiar. The heart is not asked to become abstract. It is asked to become sweet, open, and steady enough to hold devotion without resistance.

The final lines push the thought toward embodiment. If the divine is one, then human speech and practice should stop breaking that oneness apart. The image of one limb and another limb belonging to the same body gives the abhang a practical edge. It is not only theology; it is a reminder that devotional life should move with wholeness.

That is why the page is formatted with a plain reading flow. Readers usually do not come here for analysis first. They come because the opening phrase is familiar and because the stanza can help them settle the mind. The explanation stays secondary so the verse remains primary.

About Tukaram

Sant Tukaram remains one of the strongest devotional voices in Marathi literature because his abhangs stay close to lived experience. He writes in a tone that feels direct rather than ornamental, which is one reason his verses are still remembered, sung, and searched for by opening line.

On a lyrics site, that matters a lot. Readers are often not looking for a polished essay. They want the exact words, the emotional center of the verse, and enough context to confirm they found the right text. Tukaram’s poetry is especially suited to that use because it carries meaning without needing elaborate framing.

This file follows that model. It keeps the stanza central, uses modest context, and avoids clutter. The result is a page that can support chanting, memory, and quick return visits without diluting the devotional force of the original line.

Frequently Asked Questions

What kind of verse is this?

It is an abhang, a compact Marathi devotional poem associated with Sant Tukaram.

Why does the verse talk about Hari and Hara together?

The line emphasizes unity rather than division, which is a common devotional gesture in bhakti poetry when the goal is to keep the mind focused on the divine.

Can I use this page for study and chanting?

Yes. The page is meant to work as both a quick devotional reference and a readable chanting page for personal use.