Talghol Sukh Namacha Gajar Lyrics in Marathi

Full Lyrics

टाळघोळ सुख नामाचा गजर । घोषें जेजेकार ब्रह्मानंदु॥1॥ गरुडटके दिंडी पताकांचे भार । आनंद अपार ब्रह्मादिकां॥ध्रु.॥ आनंदें वैष्णव जाती लोटांगणीं । एक एकाहुनि भद्रजाति ॥2॥ तेणें सुखें सुटे पाषाणां पाझर । नष्ट खळ नर शुद्ध होती ॥3॥ तुका ह्मणे सोपें वैकुंठवासी जातां । रामकृष्ण कथा हे ची वाट ॥4॥ ॥3॥

This abhang has a different kind of energy from the quieter verses in the batch. It is full of motion, sound, and public joy. The imagery of bells, banners, and collective chanting makes the stanza feel like a devotional procession rather than a private reflection. That is exactly why it works well as a lyrics page: the text has movement built into it.

Readers who come to this page usually want the opening verse fast. The line is memorable, but it is also easy to misremember in fragments. A clean page lets the reader confirm the exact wording and return to the chant without fuss.

The stanza also shows Tukaram’s ability to make devotion communal. The text does not stay locked inside one person’s inner life. It opens into the sound of a crowd, the movement of a procession, and the sense that the name itself creates shared joy. That broader feel makes the verse especially strong for group reading.

Meaning & Significance

The first line treats the divine name as something that can be announced loudly and joyfully. The sound is not accidental. It is part of the meaning. When the verse describes the chant as a public cry of victory, it turns devotion into celebration rather than mere recitation.

The second line expands that celebration into procession imagery. The point is not just noise; it is organized devotion in motion. That gives the verse a festive public character and makes it distinct from quieter introspective abhangs. Readers can feel that this is a communal devotional atmosphere, not a solitary prayer moment.

The later lines show the moral effect of that joy. The text says that hard hearts soften and that bad qualities fall away. That is an important devotional idea because it ties external chanting to inward change. The name is not just being said. It is reshaping the person who says it.

For a lyrics page, that means the commentary should stay secondary to the chant. The stanza is already doing a lot of work on its own. The page should help the reader see it clearly, hear it mentally, and move into practice without losing the rhythm of the original.

About Tukaram

Sant Tukaram is often at his best when devotion feels lived rather than staged. His abhangs can be intimate, but they can also be public, musical, and communal. This stanza belongs to that second side of his work, where the joy of devotion spills outward into song and gathering.

That is useful for a lyrics site because many readers are looking for exactly that feeling of shared chant. They may want a verse for kirtan, for home singing, or for simply remembering the energy of collective devotion. A page like this can serve all three uses if it keeps the text readable.

This file therefore stays close to the stanza and does not over-explain it. The goal is to support the chant, not replace it.

Frequently Asked Questions

Why does the verse feel so celebratory?

Because it treats chanting the divine name as a public, joyful act that spreads energy through a community rather than staying private.

Is this verse suitable for kirtan or procession singing?

Yes. The imagery and rhythm make it a strong fit for group devotional singing and procession-style recitation.

Why is the page so short?

The lyric itself is compact, so the page stays focused on readability and chanting rather than adding filler around the stanza.